SELECTED GROUP EXHIBITIONS
 
 
2020
Bangkok Biennale, Bangkok, Thailand (forthcoming)
Skulpturen Köln, Köln, Germany (forthcoming)
The Edge of Pressure, Melbourne Art Fair, Melbourne, Australia
2019
De l’immersion à l’osmose, Chaosmose #2, Le Château, Rentilly
2018
1st Thailand Biennale, Krabi, Thailand
Communicating Vessels, Bunkier Sztuki Gallery of Contemporary Art, Krakow, Poland
Play Kortrijk 2018, Belgium
Iconography of Revolt, City Gallery, Wellington, New Zealand
2017
Occulture: The Dark Arts, City Gallery, Wellington, New Zealand
Headlands Sculpture on the Gulf, Waiheke Island, New Zealand
2016
Biennale of Sydney, The future is already here - it's just not evenly distributed, Sydney, Australia
Trigger Points, Palitz Gallery, Syracuse University Lubin House, New York, USA
Art and the City: Zuricher Kunstfestival, Zurich, Switzerland
Exploded Worlds, Dunedin Public Art Gallery, Dunedin, New Zealand
2015
Julian Dashper and Friends, City Gallery Wellington, Wellington, New Zealand
Thought Cupboard, Dowse Art Museum, Lower Hutt, New Zealand
The Alchemists, Australian Centre for Photography, Sydney, Australia
Reflex, Figments, Engine Room Massey University, Wellington, New Zealand
1st TRIO Bienial, Centro Cultural Parque das Ruinas, Rio de Janeiro, Brasil
Wunderruma: New Zealand Jewellery, Auckland Art Gallery Toi o Tāmaki, Auckland, New Zealand
Believe Not Every Spirit, But Try the Spirits, Monash University Museum of Art, VIC, Australia
5 Years RaebervonStenglin, Raebervonstenglin, Zurich, Switzerland
_____ (or 'nothing'), Margaret Lawrence Gallery, Victoria College of Art, VIC, Australia
Nothing Lost, Corbans Estate Art Centre, Auckland, New Zealand 
2014
A Place Like This, Klontal Triennale, Kunsthaus Glarus, Switzerland
A World Undone, Auckland Art Gallery Toi o Tāmaki, Auckland, New Zealand
Hit List, Institute of Contemporary Art Newtown, NSW, Australia
2013
Tapping the Third Realm, Otis College of Art and Design, California, USA
Black Square, Adelaide Experimental Art Foundation, Adelaide, Australia
The Financial Report, Artspace, Sydney, Australia
Market Forces, Osage Art Foundation, Hong Kong, China
Light Sweet Crude, Hopkinson Cundy, Auckland, New Zealand
Everyday Rebellions, Gertrude Contemporary, Melbourne, Australia
2012
Gwangju Biennale 2012, Gwangju, South Korea
Liverpool Biennial 2012, Liverpool, United Kingdom
Contact. Artists from Aotearoa/New Zealand, Frankfurter Kunstverein, Frankfurt, Germany
Why Do Birds Suddenly Appear?, Volker Bradtke, Dusseldorf, Germany
De Beau Danger, Sassa Trülzsch, Berlin, Germany
Präsentation des Publikationsarchivs DAAD, daadgalerie, Berlin, Germany
BSSM, Anat Egbi Gallery, Los Angeles, USA
Elsewhere, Dunedin Public Art Gallery, Dunedin, New Zealand
Drawing the Line, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Old Genes, Govett-Brewster Art Gallery, New Plymouth, New Zealand
2011
Singapore Biennale 2011, Singapore
29th Graphic Arts Biennial, Museum of Modern Art, Ljubljana, Slovenia
The Matter of Air, Gertrude Contemporary, Melbourne, Australia
A Way Of Calling, Linden Centre for Contemporary Arts, Australia
Afterlife, Nederlands Uitvaart Museum Tot Zover, Amsterdam, The Netherlands
Margaret Seaworthy Gothic, VCA Margaret Lawrence Gallery, Australia
Behind Closed Doors, Adam Art Gallery, Victoria University, Wellington, New Zealand
Situations, Part Gallery, Zwolle, The Netherlands
Prospect: New New Zealand Art, City Gallery Wellington, Wellington, New Zealand
2010
Busan Biennale 2010, Busan, South Korea
A Never Ending Story, Curated by Chris Sharp, New York, USA
Measuring Potenial, Potsdammer Strasse 88, Berlin, Germany
2009
For Keeps, Auckland Art Gallery Toi o Tāmaki, Auckland, New Zealand
F for Fake, Te Tuhi, Auckland, New Zealand
2008
Casa Sem Dono, Gallery Casa Triangulo, Sao Paulo, Brazil
Tarrawara Biennial, Lost & Found, Tarrawarra Museum, Victoria, Australia
The Leisure Suite, The Leroy Neiman Gallery, Columbia University, New York, USA
The Unfair Fair, Lote Arte, Rome, Italy
Headlands, Institute of Contemporary Art, Sydney, Australia
Represented artists group exhibition, A Gentil Carioca, Rio de Janeiro, Brazil
2007
Mystic Truths, Auckland Art Gallery Toi o Tāmaki, Auckland, New Zealand
Reboot: From the Jim Barr and Mary Barr Collection, Dunedin Public Art Gallery, Dunedin
Reboot: From the Jim Barr and Mary Barr Collection,Christchurch City Art Gallery, Christchurch
Reboot: From the Jim Barr and Mary Barr Collection, City Gallery Wellington, Wellington
NDP #4, From the Dust Archive (multiple for edition), North Drive Press, New York, USA
Toi Te Papa Art of the Nation, Te Papa Museum of New Zealand, Wellington, New Zealand
Rules of Engagement, Westspace, Melbourne, Australia
2006
Local Transit, Artists Space, New York, New York, USA
Trans Versa, Museo de Arte Contemporaneo, Santiago, Chile
Free New Zealand Art, Para/Site, Hong Kong, China
Don’t Misbehave! Scape Biennal, Christchurch City Art Gallery, Christchurch, New Zealand
Archiving Fever, Adam Art Gallery, Victoria University, Wellington, New Zealand
Bartertown, Uplands Gallery, Melbourne, VIC, Australia
High Anxiety, Loose Projects, Sydney, NSW, Australia
2005
Vanishing Point: Representing the Invisible, Starkwhite, Auckland, New Zealand
Free New Zealand Art, Artspace, Auckland, New Zealand
2004
Remember New Zealand (National Pavillion), Sao Paulo Biennal, Sao Paulo, Brazil
Infiltrate, Sub Station, Singapore
History Now, Te Tuhi Gallery, Auckland, New Zealand
Cuckooborough, Westspace, Melbourne, Australia
New New Zealand Art, Mop Gallery, Sydney, Australia
2003
Money For Nothing, Artspace, Auckland, New Zealand
Money For Nothing, City Gallery, Wellington, New Zealand
2002
Hatcher/Mitchell, Starkwhite, Auckland, New Zealand
Stazione di Topolo, Topolo, Italy
2001
Public Enemy, High Street Project, Christchurch, New Zealand
2000
Rubik#11: Pan Pacific, First Floor Artists & Writers Space Inc., Melbourne, Australia
Art About Fucking, Room Gallerie, Rotterdam, The Netherlands
rm123, Galerie Stadt Munchen, Amsterdam, The Netherlands
International Artist Initiative Survey, Adara Artist Resource Centre, Donegal, Ireland
The Drivers, Physics Room, Christchurch, New Zealand
Micro-Biennale, Galerie Stadt Munchen, Amsterdam, The Netherlands
1999
Art About Fucking, Project 11, Sydney, Australia
Only The Lonely, Artspace, Auckland, New Zealand
No Jokes, Stripp Gallery, Melbourne, Australia
Oblique - The Otira Project, Otira, Arthurs Pass, Canterbury, New Zealand
 
RESIDENCIES
 
2016
Cove Park Artist-in-Residence, Scotland, United Kingdom
2011
Dunedin Public Art Gallery Visiting Artist Programme, Dunedin, New Zealand
2010
Govett Brewster Art Gallery Artist-in-Residence, New Plymouth, New Zealand
2009/10
Berliner Künstlerprogramm/DAAD Artist-in-Residence, Berlin, Germany
2008
Gasworks Artist-in-Residence, London, United Kingdom
2006
Rita Angus Artist-in-Residence, Massey University, Wellington, New Zealand
2002
Gertrude Contemporary Art Spaces, Artist-in-Residence, Melbourne, Australia
SOLO EXHIBITIONS
 
2020
Post hoc, Christchurch Art Gallery Te Puna o Waiwhetū, New Zealand (forthcoming)
Dane Mitchell: Letters and Documents, Adam Art Gallery, Wellington, New Zealand
Meanwhere, Mossman, Wellington, New Zealand
2019
Post hoc, New Zealand National Pavilion, Venice Biennale 2019
2018
Dane Mitchell, Institut D'Art Contemporain, Villeurbanne, France
Iris, Iris, Iris, Auckland Art Gallery Toi o Tāmaki, New Zealand
Tuning, Hopkinson Mossman, Wellington, New Zealand
2017
Iris, Iris, Iris, Mori Art Museum Tokyo, Japan
Aeromancy, Hopkinson Mossman, Auckland, New Zealand
Stealth Transmission Tower 1, Connells Bay Sculpture Park, Waiheke Island, New Zealand
2016
Smokescreens, Positions Sector, Art Basel Miami Beach (RaebervonStenglin)
2015
Let us take the air, Hopkinson Mossman, Auckland, New Zealand
All Whatness is Wetness, RaebervonStenglin, Zurich, Switzerland
Fourfold Threshold, Encounters Sector, Art Basel HK (Hopkinson Mossman & RaebervonStenglin)
Weight of the World, Villa Toronto (with RaebervonStenglin), Toronto, Canada
2014
Sketches of Meteologocal Phenomena, Discoveries Sector, Art Basel HK (RaebervonStenglin)
Dane Mitchell, Christopher Grimes Gallery, Los Angeles, USA
Sleep Architecture, Sydenham55, Sydney, Australia
2013
Other Explications, Hopkinson Mossman, Auckland, New Zealand
Conservation of Mass, RaebervonStenglin, Zürich, Switzerland
Dane Mitchell, Sassa Trülzsch, Berlin, Germany
2012
Simultaneously Modern, The Barricades, Auckland Art Gallery Toi o Tāmaki, Auckland, New Zealand
2011
Radiant Matter III, Artspace, Auckland, New Zealand
Radiant Matter II, Dunedin Public Art Gallery, Dunedin, New Zealand
Radiant Matter I, Govett-Brewster Art Gallery, New Plymouth, New Zealand
The Dragon, The Purple Forbidden Enclosure, Starkwhite, Auckland, New Zealand
Dane Mitchell/Whitney Bedford, Susanne Vielmetter Gallery, California, USA
2010
The Story of a Window (Collaboration with Matt Keegan), Neon Parc, Melbourne, Australia
2009
Minor Optics, daadgalerie, Berlin, Germany
Happy Hour (collaboration with Matt Keegan), The Office, Berlin, Germany
Bending Light, Starkwhite, Auckland, New Zealand
Hopeless (with Scott Donovan), Institute of Contemporary Art Newton, Sydney, Australia
2008
A Guest, A Host, Galerie West, The Hague, The Netherlands
Conjuring Form, Art Statements, Art 39 Basel, Switzerland
Invocation, Gertrude Contemporary Art Spaces, Melbourne, Australia
2007
The Barricades, Starkwhite, Auckland, New Zealand
Thresholds: Rita Angus Cottage, Jonathan Smart Gallery, Christchurch, New Zealand
2006
A Abrigo ou Um Temor do Toque do Desconhecido, A Gentil Carioca, Rio de Janeiro, Brazil
The Consequences of Inaction, Starkwhite Gallery, Auckland, New Zealand
2005
Present Surface of Tell, The Physics Room, Christchurch, New Zealand
Empires, Starkwhite, Auckland, New Zealand
2004
Análise, A Gentil Carioca, Rio de Janiero, Brazil
Present Surface of Tell, Starkwhite, Auckland, New Zealand
2003
From The Dust Archive, Starkwhite, Auckland, New Zealand
2002
Recent Acquisitions, Gertrude Contemporary Art Spaces, Melbourne, Australia
2001
Risky Business, The Physics Room, Christchurch, New Zealand
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

 

Dane Mitchell ©  2020